Apocalypso

by Insect Heroes

supported by
Mark Smith
Mark Smith thumbnail
Mark Smith there all good mate, im sure my & my old missus heard you knockin some of these out solo on a key board with some bossa benguin beats (whatever they were it was the highlight of my decade), glad to get this album, your a true original, praise in full to your undeterable 8 legged collaborators Favorite track: Fabulous.
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  • Streaming + Download

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      £7.99 GBP  or more

     

  • Record/Vinyl + Digital Album

    Immediate download plus beautiful vinyl edition and postcards delivered direct to your door.

    Includes unlimited streaming of Apocalypso via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      £12.99 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    CD edition with 12 beautiful postcards.

    Includes unlimited streaming of Apocalypso via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £9.99 GBP or more 

     

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about

Introducing … self-styled purveyors of “tropical pop for the Apocalypse”, Insect Heroes! Their weirdly irresistible – or irresistibly weird, if you’d prefer – debut album Apocalypso was released on October 13th 2014.

Insect Heroes are a collection of classic British eccentrics and oddballs, based loosely around two nomadic doom mongers and mountaineering enthusiasts in the shape of Peak District born-and-raised, Scotland- based brothers George and Evan Thomas. In addition, the current line-up also includes fellow pilgrims Robin Ashton, Adam Campbell and Laurie Pitt, variously assigned to modular synthesiser, keytar, banjo, drums and percussion. It’s a surreal and psychedelic landscape they create, through which George’s helium-filled vocals and bittersweet lyricism drift like lost balloons, or clouds with silver linings. Expect huge pop hooks.

Apocalypso was recorded to 16 track analogue tape between May 2011 and November 2012 at Green Door Studio in Glasgow, with engineering from Emily Maclaren and Stuart Evans, and mastering by Sam Smith. Inspired by mountain climbs and long drives over the Pennines, transcendence on the dancefloor, music as an opiate and searching for the kind of love that lasts, it’s a curious and kaleidoscopically trippy collection, and yet eminently accessible too, framing George’s idiosyncratically skewed view of the world in all its mundane glory and evidencing his exceptional fluency in pop as a truly universal language.

credits

released October 13, 2014

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